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Mani Kaul (25 December 1944 – 6 July 2011) was a Kashmiri Pandit film director of Hindi films.[1] He graduated from the Film and Television Institute of India (FTII) where he was a student of Ritwik Ghatak and later became a teacher. Started his career with Uski Roti (1969), which won him the Filmfare Critics Award for Best Movie, he went on to win four of them in all. He won the National Film Award for Best Direction in 1974 for Duvidha and later the National Film Award for his documentary film, Siddheshwari in 1989.[2]
Early life[edit | edit source]
He first joined Film and Television Institute of India (FTII), Pune as an acting student and later shifted to the direction course, graduating in 1966.[3]Template:Dubious
He was the nephew of actor-director Mahesh Kaul, who made films like Raj Kapoor starrer Sapnon Ka Saudagar (1968). Initially studying acting at the Film and Television Institute of India (FTII), Pune, he changed over to directing. He is a 1966 graduate of the FTII.[3]
Career[edit | edit source]
His first film Uski Roti (1969) has been described as "one of the key films of the New Indian Cinema or the Indian New Wave".[3] It marked a drastic departure from earlier Indian cinema technique, form and narrative. It was one of the early formal experimental films in Indian cinema.
Ashadh Ka Ek Din (1971), his next film, was based on a play by Mohan Rakesh.
Duvidha (1973), his third, was his first in colour. It grew out of a short story by Vijaydan Detha and tells the story of a merchant's son, who returns with his new bride to have to depart on family business. A ghost falls in love with the bride... It was widely shown across Europe.
Mani Kaul was one of the co-founders of the Yukt Film Co-operative (Union of Kinematograph Technicians) in 1976, leading to avantgarde films. Critics[3] suggest that in "Mani Kaul's cinematic conception, fiction and documentary films have no clear demarcated dividing line." He also taught music in the Netherlands, and was Creative Director of the film house at Osian's Connoisseurs of Art, Mumbai.
In 1971, he was a member of the jury at the 21st Berlin International Film Festival.[4]
He was a visiting lecturer at Harvard University for the 2000–2001 school year.,[5] and was the Creative Director of the Film House at Osian's Connoisseurs of Art, Mumbai.
Death[edit | edit source]
Mani Kaul died on 6 July 2011 at his home in Gurgaon, near Delhi. He had been ailing for sometime.[6][7]
Tribute[edit | edit source]
According to a tribute[7] from Prabha Mahajan on the Indian documentary film discussion network Docuwallahs2 [1], Mani Kaul's significant body of work included both feature films and documentaries. In an interview Mani stated: "The dividing line from my films and documentaries is thin. Some of my films like "Siddheshwari" are like poetic documentaries." Mani Kaul's fellow alumni from FTII intend to put together a collective tribute to Mani Kaul and his work, and interested persons were invited to send in their thoughts on Mani as a film maker, teacher/ mentor, colleague, and as a person.
Indian film critic Khalid Mohamed commented,[8] " As a film director, he discussed the status of women (Uski Roti, Duvidha), crafted visually seductive documentaries (Arrival, Before My Eyes, A Desert of a Thousand Lines) and went through a spell of interpreting Fyodor Dostoevsky’s masterworks. The Russian writer’s short story A Gentle Creature inspired Nazar, shot in low, chiaroscuro lighting."
Awards[edit | edit source]
National Film Awards[edit | edit source]
- 1974: Best Direction: Duvidha
- 1989: Best Documentary Film: Siddheshwari[9]
Filmfare Awards[edit | edit source]
Mani Kaul won Filmfare Critics Award for Best Movie four times.
- 1971: Uski Roti (1970)
- 1972: Ashad Ka Ek Din (1971)
- 1974: Duvidha (1973)
- 1993: Idiot (1992)
Filmography[edit | edit source]
- Uski Roti (1969)
- Ashadh Ka Ek Din (1971)
- Duvidha (1973)
- Ghashiram Kotwal (1979)
- Satah Se Uthata Admi (1980)[10]
- Dhrupad (1982)
- Mati Manas (1984)
- Siddheshwari (1989)
- NazarTemplate:Disambiguation needed (1989)
- Idiot (1992)
- The Cloud Door (1995)
- Naukar Ki Kameez (The Servant's Shirt) (1999)[11]
- Bojh (Burden)(2000)
- Ik Ben Geen Ander (I Am No Other) Nederland 2002
- A Monkey's Raincoat Nederland (2005)
- 'Signature Film' for Osian Cinefan Festival of Asian Cinema (2006)
References[edit | edit source]
12. Times of India, Avijit Ghosh, "He was, by far, our most original filmmaker"; http://articles.timesofindia.indiatimes.com/2011-07-06/news-interviews/29742602_1_indian-cinema-original-filmmaker-impatience-with-conventional-narrative
External links[edit | edit source]
- Template:IMDb name
- Mani Kaul on Cinematography and Time at Indian Auteur
- The Films of Mani Kaul
- An Interview with Mani Kaul
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- ↑ Template:Cite web
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- ↑ Interview with Mani Kaul UNESCO Courier, July–August 1995.
- ↑ Satah Se Uthata Admi at Cannes Cannes Film Festival.
- ↑ Mani Kaul Filmography New York Times.